Our brain interprets it as a “real” sound. In the real world drummers often record their tracks in a special drum room where microphone feedbacks make a certain atmosphere. tends to slow down when playing more sparse rhythms,.naturally tends to slow the tempo down when he plays quietly,.It is worth remembering that every musician: The thing that can really change your drum programming is drawing attention to the so-called natural rhythmic tendencies of a live musician. You want to be very careful doing this, as you still need to be close to the correct rhythm, but sometimes having some variation gives your drums life. When you’re recording your track, consider playing your hi-hats or snares directly from your MIDI keyboard without quantizing them. It’s actually not that bad when it comes to punk music, but imagine that you make a jazz drum beat – such cheap humanisation tricks will simply not work. All we can get is an impression of a lumpy, raunchy drummer who has no control over what he plays.
We can’t really make any drum track sound “real” this way. The liveliness is what gives the drums their flavor. We think about it in realistic terms and our thinking goes like this: when the drummer sits down behind the drums and starts playing, does he hit each drum in perfect timing? Of course not.
Usually we just take the various drum notes and slightly offset them by milliseconds.
You have to know at least the basics of MIDI programming, EQ or compression.įor most of us drum humanization means only two things – “dequantization” of the notes and randomizing velocity values (within a specified range of course). However, this article is not for beginners. Some of them are for more advanced producers, while some of the others will be suitable for less advanced readers. By Piotr Pacyna Here are a few tips for anyone thinking about spicing up his drum parts.
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